Issue 13 – March 2025

I’m looking at you looking from the clifftop

In Issue 13, we journey between.

We have journeys by bus, by tram and by foot. Journeys between places, between times, between looks, between cracks, between clocks. Dandelions and endings… and endings that aren’t really endings. Gateways, getaways, soup and Co-op coupons. Each piece explores the gaps between moments and worlds, all in the sparsest words.

In three acts, we travel through rich landscapes of poems, prose and photos. Read them in order, read them in disorder, read between them, read them in your head or out loud, or let the author speak to you. Read them, share them, sit with them. And let us know what you think: email contact@brieflywrite.com.

For Issue 13, we are delighted to pay all contributors thanks to the generosity of our supporters. Thank you for joining us for this brief moment.

Daniel & Elinor

Photo by Jowonder

~ act one~

Julian Dobson, ‘Reasons to befriend a blocked footbridge’

Fokkina McDonnell, Two Poems

Lou Grimberg, ‘The First Soup of the Year’

Lavana Kray, Three Photos

~ act two ~

Hayden Boyce, Two Poems

Phi Phi AN, ‘As far as half the way to the gateway’

Hannah Linden, ‘Heaps of Places’

Craig Dobson, ‘Ex-‘

~ act three ~

Ion Corcos, Two Poems

Jowonder, ‘Between The Ticks’ (Photos & Poem)

Frank Thomas Rosen, ‘The Blue Strangler’

Thomas Sudell, ‘Riddle 51’


From the archive…

Black Swift

by Sean Cunningham

You asked me what bird I would be if I were a bird and I told you I would be a Black Swift, living on the wing. I told you I would take the highest crag behind the waterfall and furnish it with the mossiest nest anyone had ever seen – even you would be in awe. And if anybody, bird or beast or man, ever saw my acrobatics in the fine morning spray, they couldn’t help but to believe in something higher, something more. At this point, you tried to tell me what bird you would be if you were a bird, but instead I told you that if I were a Black Swift, I would pepper the afternoon sky with shooting stars of charcoal grey, or hover on the current, in love with the Earth below. You told me that you would be a parakeet with green and gold – I told you that I would tell nobody of my secrets. You said that you don’t understand me anymore. I told you I would die on the wing.

(from Briefly Zine #5. See here: Black Swift)


We pay all contributors

We pay all contributors to Briefly Zine, as well as all writers published through our competitions. Thank you to everyone who has supported our little literary space for making this possible.

Briefly Zine – Issue 14

Submissions for Issue 14 will open in July 2025. Theme to be announced…

Marram

Eileen Anderson


In the liminal space between the stunted Oak and the wild North Sea is Marram.
Sharp edged grass. Slice your fingers grass. Don’t try clutching it grass.
Root weaver. Sand binder. Dune stabiliser.
Sun-bleached, bone-white skull hider.
Breeze trapper. Foot tripper.
Dagger leaves pointing skywards, seeking the sun.
Roots
always travelling, east and west, north and south.
Each year inching their way out along the coast.


After a first career involving scientific writing, and a second writing people policies, Eileen Anderson now delights in creative writing. The natural world is a constant inspiration, and she is currently completing a collection of Badger stories alongside her poetry.

After the drowning

Debmalya Bandyopadhyay


Absence sleeps between the waves.
My father at the pier alone, picks up
the language of endless arrival, lends his
shirt to the wind’s wailing wardrobe.
Take this, and this, and this too.

Somewhere in him, the trees are still bending
to you humming Edelweiss. Through them,
a forlorn road finds the pier. My father –
your softest lover walks there all night,
and comes back shirtless each morning.


Debmalya Bandyopadhyay (he/him) is a writer and mathematician based in Birmingham, UK. He was a finalist for Sweet Literary’s 2024 Poetry Award and Sophon Lit’s 2024 Poetry Contest. He is often in parks confabulating with local birds and bees.

Local Wildness

Ian Farnes


The clearing at the town’s edge
is a network of stillness muted by snowfall.

Two crows bolt black from the blank
flat skies and shift a hawk out, over

slate roofs, uphill to the miner’s village,
where we left the lines of rabbits’ skulls
along the broken wall.


Ian Farnes grew up in Burntisland, Fife but now lives and works as a translator and writer in Barcelona. His debut poetry pamphlet is due to be published in February 2025. More details can be found on his website.

Field

Nazaret Ranea


My grandfather, at eighty years old,
climbs up the olive tree
without looking down.

From up there, his bald head shines.
He’s getting old.

The curly hair covering his chest
was once his shield in the war.
Now, back home, under this sun,
it looks like a layer of foam.


Nazaret Ranea is one of Scotland’s Next Generation Young Makars. Her poetry explores themes of nostalgia, memory, and home. Her work has appeared in over 50 publications internationally. You can find out more about her work here.

The Nigerian Nightmare

Prosper C. Ìféányí


There is a quest
         –tion about the numb

         –er of times
         our count
         –ry feeds us bull
         –ets and we

         –eds, and we can
         –not remember how to be
         –cause the over

–fed has sold his tongue.


Prosper C. Ìféányí writes from Lagos, Nigeria. His works are featured or forthcoming in Black Warrior Review, Transition, Magma Poetry, Denver Quarterly, Poetry Wales, and elsewhere.

my father’s first apartment

Isabella Waldron


white walls, white walls
i want to rub my hands in ash
watch them whisper on the white walls

i begin to hate my pink Mary-Janes
tongueless, they gape at me
grotesque against beige carpet, white walls

my father asks what i want to do
the weekend is ours, but it is all white walls

i tell him i need new shoes
so that he will matter again


Isabella Waldron is an American-British writer. Her play how to build a wax figure (Assembly/November Theatre) premiered at Edinburgh Fringe to critical acclaim. Plays Jawbone, Things I Never Told The Stars and Chatter were selected as semi-finalists for the O’Neill National Playwrights Conference and Bay Area Playwrights’ Festival. Her poetry has been featured in Chewboy and won the Ruth George Poetry Award.

It Was The Year

Jesse Domenech


It was the year we ran out
of lilies. There was so much loss
that funeral wreaths
were made of plastic bulbs.

That’s all that was left.
All the other flowers
had been pulled
and offered to the dead.

And the new lilies
had yet to bloom.


Jesse Domenech (1985-2023) was a Cuban-American poet and songwriter from Queens, NY, who championed compassion and generosity, often through humor, on the page and in life. He was a student of Billy Collins’ Poetic Hydraulics workshop and drew inspiration from hip-hop, standup comedy, and life’s curiosities. Although Jesse was a prolific author, his work had never before been published. He was a beloved friend to many.

The prize money has been donated to the Holy Apostles Soup Kitchen in Manhattan in Jesse’s memory.

Everywhere, the Body

Christine C. Rivero-Guisinga


Our stories are crawling, open-clawed,
in another country
where the ground is as soft as the beloved
taking bullets into every piece of them we know.

The mountain pass is an endless line of mourners in the rain.

Walk, at dusk, toward another forest burning,
make new homes in the fire, or
grow wings and soar into the blaze.

Our prayers are with us until they too must be left behind.


Christine C. Rivero-Guisinga works for a humanitarian organisation. A SEA Lit Circle member, she shares short haiku-like poems on Instagram (@storyseamstress). Her piece in the After Happy Hour Review earned a Pushcart Prize nomination.

Briefly Write Poetry Prize 2024 – Results

crawling, open-clawed, | in another country

The Briefly Write Poetry Prize is here, there and everywhere.

Everyone, whoever you are and wherever you are in the world, is invited to submit one short poem. This year, we received 1,315 unique entries. From elephants to elegies, heartache to haircuts, we were dazzled by the diversity and quality of themes, styles and ideas. We are grateful to have had the chance to read such a diverse array of short poetry. Inevitably, with so many outstanding short poems to consider, we had to pass on hundreds that we would have loved to acknowledge.

Then, there is a period of several months in which we read, read, re-read every poem (anonymously) and put together a longlist that is full of incredible words and images and ideas and we think how are we ever going to whittle this down to one winner, one runner-up and a handful of shortlisters? So, we take a break, breathe, let the poems rest. Weeks pass. Seasons change.

We dive back in when we feel the urge and can’t wait any longer. We re-read the longlist and fall in love with our favourites all over again. Here, we get a feeling for which poems feel as fresh, as brilliant, as ferociously urgent as they did when we first read them two months earlier.

At the end of this process, we’re excited to share our selection of the best short poetry for 2024. In our fourth year, the disclaimer we wrote for our inaugural competition is still as pertinent:

We hope you’ll agree with all our choices… but acknowledge you probably won’t. Personal taste is a wonderful thing. And poetry is a conversation. We would love to hear what you think – reflections on the poems, discussion of themes or styles, congratulations to the winning poets – in the comments below.

Thank you to everyone who shared their words, stories and little parts of themselves. Thank you to everyone who supported the competition. And thank you for taking the time to read new writing (however you came across this page). The Briefly Write Poetry Prize will be back in 2025. As ever, it will be FREE to enter and FREE to read.

Here are our choices for 2024.

Daniel & Elinor


FIRST

Christine C. Rivero-Guisinga, ‘Everywhere, the Body’


SECOND

Jesse Domenech, ‘It Was The Year’


THIRD

Isabella Waldron, ‘my father’s first apartment


SHORTLIST

Prosper C. Ìféányí, ‘The Nigerian Nightmare’

Nazaret Ranea, ‘Field’

Ian Farnes, ‘Local Wildness’

Debmalya Bandyopadhyay, ‘After the drowning’

Eileen Anderson, ‘Marram’


LONGLIST

Zoe Davis * Skye Robinson * Jacqueline Jules * Jeff Skinner * Luke Hankins * Claire Lynn * Otuaga Maria Ogheneruno * Creana Bosac * John Jeffire * Atar Hadari * Okafor Michael * Jowonder Woodward * Francesca La Nave * Gloria Sanders * Elena Zhang * Abigail Flint * Deborah Finding * Florence Grieve * Em Prendergast * Laure Sahuguet * Fatimah Bustani * Helen Ferris *


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