The First Soup of the Year

Lou Grimberg


Spices and boiled vegetables, all in one big pot—
The French windows licked with a layer
Of condensation. My eyes burn. I stir,
And sit back on the sofa, in the softness of his arms.
We talk about the story I wrote last year:
The very young woman standing under
The sky: a giant sheet of white hung
Between the buildings outside the Royal London Hospital.
Her insides feeling like an iron fist squeezing them.
A giant pad between her thighs; thick
With blood, and nothing to remember.
I say how ironic is it or maybe I am a fortune teller?
One of his tears lands on my cheek and
My whole body heaves with ugly sobs; between
My thighs, nothing to remember.
I stand up—I still have to check on the soup.


Born and raised in France, Lou Grimberg moved to the UK three years ago and began writing in English. She teaches languages, and lives in London with her partner and cat.

Two Poems

Fokkina McDonnell


232/A Beraroos, Handmade

Bought in Lisbon,
first port of call.
A blue pottery bowl.

It holds Co-op coupons,
two wrinkled apples,
a cutting about dead

Japanese soldiers
being identified by
the soles of their feet.

Tram No 1

is old – narrow doors, steep steps, red and creamy-yellow livery. Most generate revenue through striking colours: Cola red, Hommerson Casino green, purple for the popular new Aladdin at the Circus Theatre.

I double-checked documents, allowed an extra half hour to travel. The atrium is the largest in The Netherlands. The official welcomed me to the country, but, yes, I must belatedly (no rush) bring authenticated copy certificates of marriage (1973) and death (1977).


Fokkina McDonnell now lives in The Netherlands. Her poems have been widely published and anthologised. She has three collections and a pamphlet. Fokkina holds a Northern Writers’ Award from New Writing North (2020). She blogs on www.acaciapublications.co.uk

Reasons to befriend a blocked footbridge

Julian Dobson


Bridgehouses, Sheffield

An act of militant futility, willed
to upend the city’s sense of scale. 

To demand a still point 
in routines hurtling at full pelt. 

To subvert circulation, cutting 
halfway across a roundabout. 

To toy with thoughts that even 
traffic systems have a heart. 

To reconstruct a koan: 
this span will never be complete.


Julian Dobson’s work has appeared in print and online magazines including The Rialto, Acumen, and Stand, and on a bus in Guernsey. Julian lives in Sheffield.

Marram

Eileen Anderson


In the liminal space between the stunted Oak and the wild North Sea is Marram.
Sharp edged grass. Slice your fingers grass. Don’t try clutching it grass.
Root weaver. Sand binder. Dune stabiliser.
Sun-bleached, bone-white skull hider.
Breeze trapper. Foot tripper.
Dagger leaves pointing skywards, seeking the sun.
Roots
always travelling, east and west, north and south.
Each year inching their way out along the coast.


After a first career involving scientific writing, and a second writing people policies, Eileen Anderson now delights in creative writing. The natural world is a constant inspiration, and she is currently completing a collection of Badger stories alongside her poetry.

After the drowning

Debmalya Bandyopadhyay


Absence sleeps between the waves.
My father at the pier alone, picks up
the language of endless arrival, lends his
shirt to the wind’s wailing wardrobe.
Take this, and this, and this too.

Somewhere in him, the trees are still bending
to you humming Edelweiss. Through them,
a forlorn road finds the pier. My father –
your softest lover walks there all night,
and comes back shirtless each morning.


Debmalya Bandyopadhyay (he/him) is a writer and mathematician based in Birmingham, UK. He was a finalist for Sweet Literary’s 2024 Poetry Award and Sophon Lit’s 2024 Poetry Contest. He is often in parks confabulating with local birds and bees.

Local Wildness

Ian Farnes


The clearing at the town’s edge
is a network of stillness muted by snowfall.

Two crows bolt black from the blank
flat skies and shift a hawk out, over

slate roofs, uphill to the miner’s village,
where we left the lines of rabbits’ skulls
along the broken wall.


Ian Farnes grew up in Burntisland, Fife but now lives and works as a translator and writer in Barcelona. His debut poetry pamphlet is due to be published in February 2025. More details can be found on his website.

Field

Nazaret Ranea


My grandfather, at eighty years old,
climbs up the olive tree
without looking down.

From up there, his bald head shines.
He’s getting old.

The curly hair covering his chest
was once his shield in the war.
Now, back home, under this sun,
it looks like a layer of foam.


Nazaret Ranea is one of Scotland’s Next Generation Young Makars. Her poetry explores themes of nostalgia, memory, and home. Her work has appeared in over 50 publications internationally. You can find out more about her work here.

The Nigerian Nightmare

Prosper C. Ìféányí


There is a quest
         –tion about the numb

         –er of times
         our count
         –ry feeds us bull
         –ets and we

         –eds, and we can
         –not remember how to be
         –cause the over

–fed has sold his tongue.


Prosper C. Ìféányí writes from Lagos, Nigeria. His works are featured or forthcoming in Black Warrior Review, Transition, Magma Poetry, Denver Quarterly, Poetry Wales, and elsewhere.

my father’s first apartment

Isabella Waldron


white walls, white walls
i want to rub my hands in ash
watch them whisper on the white walls

i begin to hate my pink Mary-Janes
tongueless, they gape at me
grotesque against beige carpet, white walls

my father asks what i want to do
the weekend is ours, but it is all white walls

i tell him i need new shoes
so that he will matter again


Isabella Waldron is an American-British writer. Her play how to build a wax figure (Assembly/November Theatre) premiered at Edinburgh Fringe to critical acclaim. Plays Jawbone, Things I Never Told The Stars and Chatter were selected as semi-finalists for the O’Neill National Playwrights Conference and Bay Area Playwrights’ Festival. Her poetry has been featured in Chewboy and won the Ruth George Poetry Award.

It Was The Year

Jesse Domenech


It was the year we ran out
of lilies. There was so much loss
that funeral wreaths
were made of plastic bulbs.

That’s all that was left.
All the other flowers
had been pulled
and offered to the dead.

And the new lilies
had yet to bloom.


Jesse Domenech (1985-2023) was a Cuban-American poet and songwriter from Queens, NY, who championed compassion and generosity, often through humor, on the page and in life. He was a student of Billy Collins’ Poetic Hydraulics workshop and drew inspiration from hip-hop, standup comedy, and life’s curiosities. Although Jesse was a prolific author, his work had never before been published. He was a beloved friend to many.

The prize money has been donated to the Holy Apostles Soup Kitchen in Manhattan in Jesse’s memory.