The Power of Group

Ben Nardolilli


dodging upcoming webinars and poetry month sales,
along with conversations about the dangers
of conflict photography  – what day is it again?
last Tuesday now feels like a classic – remembering
when the voice of tired out workers included me

now my stories are set among swings,
as I collect colored glass in the parks while reviewing
superstitions before interviews, it’s something
for the weekend, flashing all my resources on Friday
while saying live and let live to news and events 


Ben Nardolilli currently lives in New York City. His work has appeared in Perigee Magazine, Red Fez, Danse Macabre, The 22 Magazine, Quail Bell Magazine, Elimae, The Northampton Review, Local Train Magazine, The Minetta Review, and Yes Poetry. He blogs here and is trying to publish a novel.

Junebug

Simea Stevens


I remember that porch. I remember we were sitting on its steps that summer, when I asked Mama about the house. 

“What about the house?” she asked.

“It’s broken.”  

“Oh hon…” She trailed off, but her eyes finished the sentence. So blue, so bright, so full of hurt. She wrapped her arms around me.

“Well June, you see…” She stopped to think for a second, but hung onto me too tight, squeezing my shoulders as if she could wring my doubts right out of me. “It may be broken, but it’s still alright. Windows don’t need glass for you to see outside of ‘em.”

“Mama, this isn’t just about the windows.” 

They were part of it, that was true. I might’ve jumped when they were shattered, but I didn’t care enough to feel anything about it. I just sighed, that house had a mean draft before the window came down.

She sighed.

“What do I always say, June? We might not have it all, but we’ve got all we need.”

But this wasn’t enough for me. Somehow, she sensed it. Back when she had a good head, she was all there and then some. 

“Now listen, Junie. Sure our fridge doesn’t work right, but really that’s just fine. I’m out of a job too. And your father’s just like our washer.”

I knew she was getting at something, but I just didn’t know what. I felt myself almost smiling, even though I didn’t want to be. I swallowed that smile and turned to look at her.

“Mama, what washer?”

“Exactly. And what father? But we get along just fine without both.”

She paused for a second to think, eyes momentarily fixed in the distance, before she continued.

“Now, I know we don’t have enough beds, but sharing with your sister can’t be too bad. ‘Specially now that she never sleeps at home.”

She looked down to avoid my gaze and started smoothing her dress of non-existent wrinkles before she added, “We’ve got it all between the five of us. Don’t need a chimney when we’ve got your brothers. And I’m a regular old doormat. Two more problems solved.”

After that a pause hung in the air. Mosquitoes idly drifted by, knowing well enough not to land on us.

“I guess so” I said, choking on nothing, but the humidity of June and the bitter truth. My mama had a way of dressing things up to make them seem pretty. She’d always do a good job, making herself look like a princess each time she managed to find a date. It still wasn’t enough. Those men never loved her and I never loved my home the way we all should have. Its emptiness crept into me at a young age, making it hard to breathe. I never really had a breath of fresh air ‘til I was hours north, in a state I had never been before. Maine and some clarity, a mental state just as foreign to me as the physical. 

I took my first breaths in a hospital just outside of Charleston, an hour or so from my hometown of Cairo. I don’t remember this, but my Mama tells me it was so. My father was there, and so was my sister. Lori tells me I was so pink, I scared her. 

I couldn’t help but wonder if I was pink the moment I stepped off that bus and took the first breath that I ever remember taking.


Simea Stevens enjoys writing stories about others in the first person while writings bios about herself in the third. Currently, she’s working on her first full-length novel and continues to write poems and short stories. Contact can be made through simeastevens@gmail.com or by visiting her new website. 

Blind Retribution

Ogedengbe Tolulope Impact


A fire is burning in a distant land
And we hear that some young men
Are being undressed by fire.
They say these men
Are seeds bearing their father’s crosses
With scars of terrific moments.
They say their fathers’ fathers
Cast sharp spears of inhumanity
And threw wars onto several doors.
They say their forefathers
Left cruel marks on many walls
With blasts of human wickedness
And that the retribution of nemesis
Is only a tit for tat.


Ogedengbe Tolulope Impact is a Nigerian poet. He is a chemical engineering graduate from the prestigious Obafemi Awolowo University, Ile-Ife. His poem ‘Tell them’ was shortlisted at the 7th Korea-Nigeria poetry feast 2017. His works have been published in Duane Poetree, Pangolin review, Amandasteelwriter, Words Rhymes & Rhythms, Literary planet, Wax poetry and art magazine, Porridge magazine, Parousia Magazine, Subsaharan magazine and elsewhere. He tweets @fruitfulimpact.

Feeding Tom

Emma Cariello


When the sun has finally set for good, I go out back and feed Tom. It has to be right when the sky’s the color of ink, and preferably no stars. If there are stars, he’s liable not to show up. I only gleaned this pattern after many a night of waiting for him to come out when the moon was brilliant and stars speckled the sky like dandruff. Those nights I would wait with his meal in hand at the edge of the wood like an idiot. But when the sky was quiet, he’d always come.

The kids were supposed to be in bed by that hour, but sometimes I’d look back at the house and see the little thumbprints of their faces against an orange square of light. On the nights I had to feed Tom, the kids would seldom come near me the next morning. I’d fix their breakfast and feel their eyes on the back of my head, peeking around the corner. Once I left the kitchen, I’d quietly climb halfway up the stairs and watch them chew in silence. Supposing a stair creaked, they would scatter like mice. 

The wood looked different in the daytime; friendlier, I suppose. Green, brown, and gold, plentiful timber and plenty of game to be had. But I knew what was in there, or rather who, and would warn the kids profusely not to enter. Well one day Geoff didn’t much feel like heeding my warning. His ball rolled in amongst the trees, and he ran after it. I came out to do some chore or another just in time to see him traipsing out, ball under his arm. 

Gave him a good lashing for that. Made sure his sister saw, too. I told him next time his ball rolled out he better just let it rot out there, lest he want to be rotting instead. 

Tom was hungry again that night, calling for his food just a few hours before Geoff passed on, God rest his little soul. His sister had taken it on herself to call the authorities, even though I insisted to her that I had not one thing to hide. She just kept shaking her head, shaking it and shaking it, phone in hand.

When they came, I told them what had happened. Tom had gotten him. Sure as shit.


Emma Cariello is a journalism major living in New York. Aside from writing short fiction, she also enjoys reviewing films in her spare time.

just a little cut

Laura Owens



Laura Owens writes from a small apartment in Oxford, UK, and animates characters in videogames for a living. Recent pubs include perhappened mag, Versification, Detritus, and ang(st) zine’s Distanced project. Say hi on Twitter/Instagram @laurabethowens.

Untitled

DL Shirey


Rock, paper or scissors. Can’t decide.


DL Shirey writes fiction, by and large, unless it’s small. He lives in Portland, Oregon and has been caught flashing at Café Aphra, 365 Tomorrows, ZeroFlash, Fewer Than 500 and others listed here and @dlshirey on Twitter.

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